Biography

After early stints in theatrical sound and lighting design, Kent Sparling spent three years at Sound Transform Systems, hand-building Serge Modular analog synthesizers for musicians such as John McEntire and Trent Reznor. He departed STS in 1995 to work in film sound in Vancouver, BC, and since 1997 has been employed as a sound designer and re-recording mixer at Skywalker Sound, with credits on Sofia Coppola’s The Virgin Suicides, Lost in Translation and Marie Antoinette; Mike Mills’ Thumbsucker; Spike Jonze’s Adaptation and her; and We Own the Night and Two Lovers by James Gray. His deep ties to independent film are exemplified by his work on Lance Hammer’s Ballast, Miranda July’s The Future, Braden King’s Here, Bluebird from Lance Edmands, Ain’t Them Bodies Saints by David Lowery, Kelly Reichardt’s Night Moves and Ira Sachs’ Love is Strange.

Filmography

View Terminator 2: Judgment Day
Terminator 2: Judgment Day

Terminator 2: Judgment Day

1991Film
8.1
View Lost in Translation
Lost in Translation

Lost in Translation

2003Film
7.4
View Star Wars: Episode I - The Phantom Menace
Star Wars: Episode I - The Phantom Menace

Star Wars: Episode I - The Phantom Menace

1999Film
6.6
View Star Wars: Episode II - Attack of the Clones
Star Wars: Episode II - Attack of the Clones

Star Wars: Episode II - Attack of the Clones

2002Film
6.6
View The Virgin Suicides
The Virgin Suicides

The Virgin Suicides

2000Film
7.1
View The Flyboys
The Flyboys

The Flyboys

2008Film
7.6
View Minari
Minari

Minari

2021Film
7.3
View The Yards
The Yards

The Yards

2000Film
6.2
View Wag the Dog
Wag the Dog

Wag the Dog

1997Film
6.9
View Sphere
Sphere

Sphere

1998Film
6.1
View What Lies Beneath
What Lies Beneath

What Lies Beneath

2000Film
6.4
View Adaptation.
Adaptation.

Adaptation.

2002Film
7.3